There are artists who make noise — and then there’s Zilla Oaks, the Abuja-bred sonic shapeshifter turning chaos into art. He doesn’t just record tracks; he creates cinematic experiences that breathe energy, honesty, and culture. Every beat is a heartbeat, every bar a timestamp in the evolution of his sound.
⚡ STREAMING KILLED THE DVD STAR — AND ZILLA ADAPTED LIKE A REBEL TURNED VISIONARY
Zilla Oaks has watched the industry morph in real time — from street mixtapes and DVDs to streams and screens.
“Music has transitioned a lot since I came out. I launched my career at the end of the DVD era. I started dropping on SoundCloud and YouTube, but everything moved — Apple, Spotify, TikTok, content creation… It’s been a crazy journey.”
He’s not exaggerating. Zilla didn’t just adapt to the streaming era — he decoded it. While most chased virality, he built consistency. His career reads like a masterclass in evolution, rooted in authenticity.
25 MINUTES OF MAYHEM — HOW “GUNDOWN” HAPPENED
Some songs take weeks. Others take magic.
“I made ‘Gundown’ at Barclays Studio. Heard a beat at 8 a.m., recorded the whole track in 25 minutes.”
No filters. No rewrites. Just pure instinct and clarity. “Gundown” wasn’t just recorded — it was summoned. That kind of flow state separates artists who make songs from those who become the sound.
ADHD, FREESTYLES & THE BEAUTY IN CHAOS
What some call a limitation, Zilla calls fuel.
“I battle with ADHD, so freestyling got me really far. It made me quick — short sessions, sharp ideas, no wasted energy.”
Then came a defining moment:
“At Incredible Music Fest 2024, I’d finished my set, then M.I Abaga and Jesse Jagz brought me back out. The band’s just playing notes… Jesse hands me the mic. What did I do? I freestyled.”
That’s the thing about Zilla Oaks — pressure doesn’t break him; it activates him. His creative process isn’t about perfection — it’s about presence.
LEGACY OVER LIKES — THE ZILLA PHILOSOPHY
Zilla’s not here for numbers — he’s here for meaning.
“Authenticity. Originality. Freedom. Swag.”
Those aren’t buzzwords; they’re commandments. His sound radiates self-belief and purpose.
“Music is my life. To simply put it: every. I wake up and pray for more blessings. You gotta believe in yourself and the people around you.”
He’s not chasing charts; he’s chasing legacy. And legacy — the real kind — doesn’t fade with algorithms.
NO ZZZZ — NO SLEEP. JUST EVOLUTION.
#ALOT FT. @SHOULDBEYUANG OUT NOW
— ZILLA OAKS (@ZILLA__OAKS) May 9, 2025
VISUALISER BY @JUST_BOYCAM #AMEN
.
.
.
.
.#fyp #fypreelsシ゚viralシ #reels #viral #newmusic #zillaoaks #performance #explore #explorepage #explorepage✨ #hiphop #rap pic.twitter.com/LDWQA9Y00j
The grind continues with NO ZZZZ 3, the next chapter in his genre-blending series.
“I’m working on a hip-hop/trap/rap project — the follow-up to my No ZZZZ imprint.”
The name says it all. No rest. No shortcuts. Just passion in overdrive.
“I don’t stop. I’m Zilla Oaks 24/7. It’s crazy.”
Zilla doesn’t do music. He is music. And that’s why his story — like his sound — will always echo louder than the noise.
Follow the movement: @zilla_oaks
Proudly powered by Creative Culture